中國曲藝（英文版）簡介，目錄書摘
2020-04-13 18:28
來源：京東
作者：京東
中國曲藝（英文版）
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內(nèi)容簡介: 曲藝，是中華民族各種說唱藝術(shù)的統(tǒng)稱。它是由民間口頭文學(xué)和歌唱藝術(shù)經(jīng)過長期發(fā)展演變形成，是以“口語說唱”來敘述故事、塑造人物、表達思想感情、反映社會生活的表演藝術(shù)門類。多數(shù)以敘事為主、代言為輔，具有“一人多角（即一個演員模擬多種角色）”的特點，或說或唱；少數(shù)以代言為主、敘事為輔，分角色拆唱，不同的曲藝品種與其各自產(chǎn)生的地區(qū)方言關(guān)系密切，曲藝音樂則是我國民族音樂的重要組成部分。演出時演員人數(shù)較少，通常僅一至二三人，使用簡單道具。表演形式有坐說、站說、坐唱、站唱、走唱、拆唱、彩唱等。曲本體裁有兼用散文和韻文、全部散文和全部韻文三種。音樂體式有唱曲牌的“聯(lián)曲體”、唱七字句或十字句的“主曲體”，或綜合使用兩者。
作者簡介:
目錄:Chapter Ⅰ
Folk Performing Art's Place in Chinese Culture
Section ⅠFolk Performing Art Genius
Section Ⅱ The Popularization of Entertainment
Section Ⅲ Representatives of the Common People
Chapter Ⅱ
Artistic Traditions in Chinese Folk Performing Art
Section Ⅰ Xia Li Ba Ren
Section Ⅱ Comedy and Humor
Section Ⅲ Seize the Moment
Chapter Ⅲ
Performance Techniques
Section Ⅰ The Art of Expression
Section Ⅱ Entry and Exit
Section Ⅲ Performance and Appreciation
Chapter Ⅳ
The Art of Storytelling
Section Ⅰ The Origin of the Storytelling
Section Ⅱ The Spirit， Form and Language of Storytelling
Section Ⅲ Improving Storytelling： Liu Jingting （1587—1670）
Section Ⅳ Continuing the Storytelling Tradition
Chapter Ⅴ
Tanci and Guqu
Section Ⅰ The Artistic Charm of Tanci
Section Ⅱ Continuing the Art of Tanci
Section Ⅲ The Artistic Charm of Guqu
Section Ⅳ Continuing the Art of Guqu
Chapter Ⅵ
Cross Talk
Section Ⅰ Performance Skills
Section Ⅱ Cross Talk's Performance Characteristics
Section Ⅲ The Great Master of Cross Talk： Hou Baolin
Section Ⅳ Continuing the Tradition of Cross Talk
Author's Note
A Brief Chronology of Chinese History
Folk Performing Art's Place in Chinese Culture
Section ⅠFolk Performing Art Genius
Section Ⅱ The Popularization of Entertainment
Section Ⅲ Representatives of the Common People
Chapter Ⅱ
Artistic Traditions in Chinese Folk Performing Art
Section Ⅰ Xia Li Ba Ren
Section Ⅱ Comedy and Humor
Section Ⅲ Seize the Moment
Chapter Ⅲ
Performance Techniques
Section Ⅰ The Art of Expression
Section Ⅱ Entry and Exit
Section Ⅲ Performance and Appreciation
Chapter Ⅳ
The Art of Storytelling
Section Ⅰ The Origin of the Storytelling
Section Ⅱ The Spirit， Form and Language of Storytelling
Section Ⅲ Improving Storytelling： Liu Jingting （1587—1670）
Section Ⅳ Continuing the Storytelling Tradition
Chapter Ⅴ
Tanci and Guqu
Section Ⅰ The Artistic Charm of Tanci
Section Ⅱ Continuing the Art of Tanci
Section Ⅲ The Artistic Charm of Guqu
Section Ⅳ Continuing the Art of Guqu
Chapter Ⅵ
Cross Talk
Section Ⅰ Performance Skills
Section Ⅱ Cross Talk's Performance Characteristics
Section Ⅲ The Great Master of Cross Talk： Hou Baolin
Section Ⅳ Continuing the Tradition of Cross Talk
Author's Note
A Brief Chronology of Chinese History
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