人文中國書系-中國繪畫（英）簡(jiǎn)介，目錄書摘
2021-03-25 18:08
來源：京東
作者：京東
人文中國書系-中國繪畫（英）
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內(nèi)容簡(jiǎn)介:“人文中國書系”共30個(gè)分冊(cè)，書系旨在通過介紹中國傳統(tǒng)文化中一些有代表性的領(lǐng)域或?qū)ｎ}，展現(xiàn)中國文化的總體面貌。書系的作者均為相關(guān)領(lǐng)域的專家學(xué)者，他們廣博的歷史文化知識(shí)以及深入淺出的敘述方法，使讀者可以通過輕松愉悅的閱讀，領(lǐng)略豐富多彩、博大精深的中國文化。該系列叢書設(shè)計(jì)精美，內(nèi)容豐富，出版以來受到國外讀者歡迎，版權(quán)輸出到多個(gè)國家，并被收入“劍橋文庫”。
傳統(tǒng)的中國畫是中國五千年?duì)N爛文明的重要篇章。這種以毛筆、墨、絹紙為主要工具，以點(diǎn)線結(jié)構(gòu)為主要表現(xiàn)手段的造型藝術(shù)，有著深厚的傳統(tǒng)和獨(dú)特的民族風(fēng)格。而20世紀(jì)的中國繪畫則體現(xiàn)了中國藝術(shù)從傳統(tǒng)走向現(xiàn)代的發(fā)展進(jìn)程，反映了對(duì)西方藝術(shù)的引進(jìn)、吸收，中西藝術(shù)的碰撞、融合等多種復(fù)雜形態(tài)。本書突出繪畫藝術(shù)與中國文化的密切關(guān)系，講述畫作、畫家、畫風(fēng)背后的文化故事。
Traditional Chinese painting is an important part of the 5,000-year-old Chinese civilization. This art, with brushes, ink, silk and xuan paper as main tools, and lines and dots as structure, has profound tradition and unique ethnic style. In the 20th century Chinese painting was in the process from tradition to modernity, reflecting its complexity of assimilation and absorption of Western art and clashes and blending between Chinese and Western arts. This book focuses on the close relations between the art of painting and Chinese culture, and tells the stories behind masterpieces, artists and painting styles.
傳統(tǒng)的中國畫是中國五千年?duì)N爛文明的重要篇章。這種以毛筆、墨、絹紙為主要工具，以點(diǎn)線結(jié)構(gòu)為主要表現(xiàn)手段的造型藝術(shù)，有著深厚的傳統(tǒng)和獨(dú)特的民族風(fēng)格。而20世紀(jì)的中國繪畫則體現(xiàn)了中國藝術(shù)從傳統(tǒng)走向現(xiàn)代的發(fā)展進(jìn)程，反映了對(duì)西方藝術(shù)的引進(jìn)、吸收，中西藝術(shù)的碰撞、融合等多種復(fù)雜形態(tài)。本書突出繪畫藝術(shù)與中國文化的密切關(guān)系，講述畫作、畫家、畫風(fēng)背后的文化故事。
Traditional Chinese painting is an important part of the 5,000-year-old Chinese civilization. This art, with brushes, ink, silk and xuan paper as main tools, and lines and dots as structure, has profound tradition and unique ethnic style. In the 20th century Chinese painting was in the process from tradition to modernity, reflecting its complexity of assimilation and absorption of Western art and clashes and blending between Chinese and Western arts. This book focuses on the close relations between the art of painting and Chinese culture, and tells the stories behind masterpieces, artists and painting styles.
作者簡(jiǎn)介:
目錄:Preface
From Gu Kaizhi to Wu Daozi
Tomb Chamber Paintings
The Most Romantic Painting
"Communication of the Soul"
Spring Outing （You-Chun TU）
Emperors of Great Prosperity
Another Figure Painting
"The Painting Saga"
Famous Paintings Record of Past Dynasties （Li-dai ming-hua ji）
Desert Treasures
Buddhism Going East
Dunhuang Mogao Caves
Lucid Mountains and Remote Streams
Northern Painters and Southern Painters
Song Huizong and his period
Along the River During the Qingming Festival
（Qingming Shanghe Tu）
Panorama Shanshui
Su Shi and Mi Fu
Scholar Paintings
Zhao Mengfu and "Four Masters of the Yuan Dynasty"
Plum Blossom, Orchid, Bamboo and Stone
"The Southern and Northern Sects"
"Four Monks" and "Four Wangs"
The End of Scholar Paintings and Famous Chinese Painters of Modern Times
Modern Chinese Paintings
Painters Studying Abroad
Revolutionary Realism
"Modern" and "Post-Modern"
Appendix: Chronological Table of the Chinese
Dynastie
From Gu Kaizhi to Wu Daozi
Tomb Chamber Paintings
The Most Romantic Painting
"Communication of the Soul"
Spring Outing （You-Chun TU）
Emperors of Great Prosperity
Another Figure Painting
"The Painting Saga"
Famous Paintings Record of Past Dynasties （Li-dai ming-hua ji）
Desert Treasures
Buddhism Going East
Dunhuang Mogao Caves
Lucid Mountains and Remote Streams
Northern Painters and Southern Painters
Song Huizong and his period
Along the River During the Qingming Festival
（Qingming Shanghe Tu）
Panorama Shanshui
Su Shi and Mi Fu
Scholar Paintings
Zhao Mengfu and "Four Masters of the Yuan Dynasty"
Plum Blossom, Orchid, Bamboo and Stone
"The Southern and Northern Sects"
"Four Monks" and "Four Wangs"
The End of Scholar Paintings and Famous Chinese Painters of Modern Times
Modern Chinese Paintings
Painters Studying Abroad
Revolutionary Realism
"Modern" and "Post-Modern"
Appendix: Chronological Table of the Chinese
Dynastie
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