★ 收錄21世紀極具影響力的52位藝術(shù)攝影師的250多幅佳作；

        ★ 跟隨大師學習先進的創(chuàng)作觀念與技法；

        ★ 集知識性、藝術(shù)性于一身，探究后攝影時代令人興奮的新語言；

    在這個人人都有一部智能手機的時代，人們按下快門，隨即就秀出照片。人人都有自己的社交網(wǎng)絡(luò)賬戶，可以將自己在這個世界上每一秒鐘的狀態(tài)都用相機記錄下來?！拔宜脊饰以凇弊兂闪恕拔矣涗?，故我存在”。如今攝影已經(jīng)是一種極為平民化的行為，“自拍”甚至成了2013年牛津詞典的年度熱詞。

    瀏覽并創(chuàng)造性地將他人的圖像吸納至自己的作品中，如今這種實踐成為很多藝術(shù)攝影師的主要工作。由攝影記者轉(zhuǎn)型為藝術(shù)攝影家的沃爾夫曾說：“我們的世界充滿圖像，這是未來影像中的一部分。我們必須得想辦法處理，對其去蕪存菁，或者將其吸收到我們的作品中。我認為，未來我們很重要的一項任務(wù)就是對所有這些圖片進行精挑細選。你能想象今天我們到底有多少圖像嗎？這個數(shù)字是不可估量的?！?/p>

   “你不是在拍照片，你是在制作照片?！眰ゴ蟮拿绹L景攝影師安塞爾·亞當斯這樣說道。這一提法在近二三十年內(nèi)日益得到肯定，雖然亞當斯本人對此并沒有很明確的設(shè)想或?qū)嵺`。那么，我們?nèi)绾螛?gòu)建一個自己的天地并將它記錄下來呢？

    在本書中，你將會認識52位21世紀杰出的藝術(shù)攝影家，并學習到他們的創(chuàng)作觀念與技巧。書中所選的作品均立足于數(shù)字時代的前沿，具有很強的視覺沖擊力。相信跟隨著大師的腳步，你將會進入一個精彩絕倫的藝術(shù)世界。歡迎來到后攝影時代。

     美國視覺傳播學者米契爾(Walliam Mitchell)在1991年提出“后攝影時代”(Post-Photography)這一個名詞，用以形容攝影自從進入了數(shù)碼時代后已出現(xiàn)了根本性的改變。在如今這個“一切皆有可能”、“萬事已難創(chuàng)新”的數(shù)字時代，藝術(shù)家們的確還在使用照相機，但是僅僅拍照是遠遠不夠的了。

 那么，攝影之后是什么？

     這本《攝影之后：拍照的藝術(shù)家》便試圖通過深入探究圖像制造中令人興奮的新語言來回答這個問題。 

     本書分為五個部分，分別是“借鑒與創(chuàng)新”“現(xiàn)實的層列”“整個世界都是舞臺”“手與眼”“后現(xiàn)代新聞攝影”，所介紹的創(chuàng)作觀念與技法來自21世紀52位具有吸引力、具有創(chuàng)新性的國際藝術(shù)攝影師。 

羅伯特·肖（Robert Shore），英國著名媒體人，主要從事文化和媒體領(lǐng)域的創(chuàng)作，長期為英國《都市報》《衛(wèi)報》和《星期日泰晤士報》撰稿。同時，他還是《藝術(shù)評論》雜志的編輯。

序言：攝影之后是…… ···· 07

1

借鑒與創(chuàng)新···················· 13

什卡·漢納································14

約阿希姆·施密德··························22

伊娃·史妲朗································28

妮可·貝勒···································34

戴 維·托馬斯·史密斯····················38

喬尼·布里格斯·····························42

諾?！ど_斯································46

茱莉亞·博里索娃 ·························50

布倫丹·尤哈斯·····························54

安 德列·施密特·····························58

克萊蒙特·瓦拉·····························62

2

現(xiàn)實的層列···················· 67

瓦萊里·貝琳································68

李在镕·········································72

喬納森·劉易斯·····························76

蘇菲·西野···································80

奧利沃·巴爾比埃利·······················84

楊泳梁 ········································88

丹·霍茲沃斯································92

3

整個世界都是舞臺··········· 99

勞倫斯·德梅松·····························100

原久路·········································106

莎迪·伽迪里安·····························110

萊昂斯·拉斐爾·阿波德魯··············114

克里斯蒂·李·羅杰·······················118

安吉洛·穆斯克·····························122

奧拉夫·布魯寧·····························126

斯佳麗·霍夫特·格拉芙蘭··············132

魯內(nèi)·古納佑森·····························136

埃里克·約翰遜·····························140

若昂·卡斯蒂略·····························144

約翰·克文斯基·····························150

迦勒·哈蘭德································154

亞歷杭德羅·吉加洛·······················158

丹尼爾·埃斯肯納茨·······················162

伯恩德納特·斯米爾德····················166

4

手與眼···························171

阿里奇·布雷恩·····························172

陳農(nóng)············································178

查爾斯·格洛戈·····························182

達夫娜·塔爾默爾··························186

約爾瑪·普拉能·····························190

朱莉·科伯恩································196

托爾斯滕·瓦爾穆斯·······················200

克洛伊·塞爾斯·····························204

斯蒂菲·克倫茨·····························208

布倫丹·弗勒································212

5

后現(xiàn)代新聞攝影···············217

邁克爾·沃爾夫·····························218

楊怡············································226

瑪?shù)倌取ぐ推尜斊铡ぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁぁ?30

克里斯蒂娜·德·米德爾·················234

理查德·莫斯································238

本雅明·羅伊································244

戴維·伯金···································250

亞當·布魯姆伯格、奧利佛·查納林 ···256