西人中國紀事-中國民間故事（英）簡介讀后感，經典語錄書評
2020-02-11 14:29
來源：京東
作者：京東
西人中國紀事-中國民間故事（英）
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編輯推薦:《中國民間故事》較為全面地呈現了中國民間故事的樣貌，可以作為面向中外小讀者的兒童讀物，也可以作為外國成人讀者了解中國文化的一個入口。
The Chinese Fairy Book comprehensively represents the features of Chinese fairy tales. "There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject."
The Chinese Fairy Book comprehensively represents the features of Chinese fairy tales. "There is no child who will not enjoy their novel color, their fantastic beauty, their infinite variety of subject."
內容簡介:《中國民間故事》選取了73個中國民間故事，囊括了諸多類型，如童話故事、神話故事、圣人和術士傳說、自然和動物故事、鬼故事、歷史傳說等。
The seventy-three stories presented in The Chinese Fairy Book after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," represent a varied collection of oriental fairy tales.
The seventy-three stories presented in The Chinese Fairy Book after original sources, embracing "Nursery Fairy Tales," "Legends of the Gods," "Tales of Saints and Magicians," "Nature and Animal Tales," "Ghost Stories," "Historic Fairy Tales," and "Literary Fairy Tales," represent a varied collection of oriental fairy tales.
作者簡介:衛(wèi)禮賢（Richard Wilhelm，1873—1930），1873年10月10日出生于當時符騰堡王國的首府斯圖加特。他翻譯出版了《老子》《莊子》和《列子》等道家著作，還著有《實用中國常識》《老子與道教》《中國的精神》《中國文化史》《東方——中國文化的形成和變遷》《中國哲學》等等，是中西文化交流史上“中學西播”的一位功臣。
Richard Wilhelm (10 May 1873 – 2 March 1930) was a German sinologist, theologian, and missionary. He lived in China for 25 years, became fluent in spoken and written Chinese, and grew to love and admire the Chinese people. He is best remembered for his translations of philosophical works from Chinese into German that in turn have been translated into other major languages of the world, including English. His translation of the I Ching is still regarded as one of the finest.
Richard Wilhelm (10 May 1873 – 2 March 1930) was a German sinologist, theologian, and missionary. He lived in China for 25 years, became fluent in spoken and written Chinese, and grew to love and admire the Chinese people. He is best remembered for his translations of philosophical works from Chinese into German that in turn have been translated into other major languages of the world, including English. His translation of the I Ching is still regarded as one of the finest.
目錄:PREFACE
BIOGRAPHICAL NOTE
INTRODUCTION
PART ONE. TECHNIQUE
I. EQUIPMENT OF THE PAINTER
II. REPRESENTATION OF FORMS
III. DIVISION OF SUBJECTS
IV. INSPIRATION
PART TWO. THE EVOLUTION OF CHINESE PAINTING
I. ORIGINS
II. BEFORE THE INTERVENTION OF BUDDHISM
III. THE INTERVENTION OF BUDDHISM
IV. THE T‘ANG PERIOD—SEVENTH TO TENTH CENTURIES
V. THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES
VI. THE YüAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES
VII. THE MING PERIOD—FOUR TEENTH TO SEVENTEENTH CENTURIES
VIII. THE CH‘ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES
CONCLUSION
BIBLIOGRA PHY
INDEX OF PAINTERS AND PERIODS
BIOGRAPHICAL NOTE
INTRODUCTION
PART ONE. TECHNIQUE
I. EQUIPMENT OF THE PAINTER
II. REPRESENTATION OF FORMS
III. DIVISION OF SUBJECTS
IV. INSPIRATION
PART TWO. THE EVOLUTION OF CHINESE PAINTING
I. ORIGINS
II. BEFORE THE INTERVENTION OF BUDDHISM
III. THE INTERVENTION OF BUDDHISM
IV. THE T‘ANG PERIOD—SEVENTH TO TENTH CENTURIES
V. THE SUNG PERIOD—TENTH TO THIRTEENTH CENTURIES
VI. THE YüAN PERIOD—THIRTEENTH AND FOURTEENTH CENTURIES
VII. THE MING PERIOD—FOUR TEENTH TO SEVENTEENTH CENTURIES
VIII. THE CH‘ING PERIOD—SEVENTEENTH TO TWENTIETH CENTURIES
CONCLUSION
BIBLIOGRA PHY
INDEX OF PAINTERS AND PERIODS
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